Title: Home For Awhile
Rated: R there’s a word
Summary: Post NFA Angel goes
to Rome to say goodbye.
Disclaimer: Nope not mine.
The poem isn’t mine either.
It’s a Cherokee Indian poem
that is just so beautiful.
He takes a cargo
ship to Rome. It’s really
the only way he can get
across the ocean now that
Wolfram and Hart and their
jets with necro tempered
glass are gone. He eats
rats from the cargo hold.
Last century or this one;
there is never a shortage of
rats. He doesn’t try to
clean up before he sees her.
He’s here to say goodbye,
not to socialize, not to
tell her about some fabulous
reward from the powers that
left him human, not to tell
her about a grand victorious
battle he won, just to say
goodbye.
Rome hasn’t
changed much in the last
century; of course he knew
that because he was here
with Spike a few weeks ago,
Spike, who’s now dust in an
alley somewhere, just like
he should be. It all started
in alley; it was supposed to
end in one too.
He watches her
for a few days. He feels
like he’s spent his whole
life watching her. He will
miss that when he’s gone but
there is nothing left for
him now, not her. She was
never for him. She was a
brief respite in the eternal
Hell he’s been condemned to.
She is the respite
(damnation) that will save
him from slipping into
oblivion once he’s in Hell.
Her smile will anchor him
even as he is tortured. She
was once his redemption and
when he can’t forget her
can’t let the demon take
over, she will be his
damnation.
It’s just a
matter of time before she
finds him. He knew she was
too much of slayer (soul
mate) not to feel him. She’s
walking home from a coffee
shop one night when she
slips into an alley (an
alley, always an alley). He
follows her, expecting to
her to knock him on his ass
and she does, only
figuratively instead of
literally this time. She’s
beautiful; somehow he forgot
how beautiful she is.
“Angel,” she
whispers.
He nods. He
wants to wrap his arms
around her and sob until all
this pain is gone. (Never
gone)
She furrows her
brow in confusion and worry.
She walks to him, places her
hand on his cheek and he
swears his heart leaps, and
then falls and shatters.
(He’s alive, Cordelia)
“Come on, let’s
get you home,” she says.
Home, home,
home, he doesn’t think there
is such a place anymore. He
had a home once; it smelled
like vanilla and sunshine
(Her). She wraps an arm
around his waist, not caring
that he smells like rats.
*
She doesn’t ask
him what’s wrong until he’s
had a shower. He’s wearing
clean sweat pants and a tee
shirt. He doesn’t want to
know who they belong to or
why they’re at Buffy’s
apartment. He’s sitting on
her couch listening to her
talk on the phone in
Italian. She’s laughing and
trying to charm a local
butcher into delivering
blood. She’s horrendous at
Italian. She was always
horrendous at French too.
They’d spent many evenings
together (kissing) under the
guise of him teaching her
French.
She hangs up the
phone and perches on the
edge of the couch. She folds
her hands in her lap and
twines her fingers. He
wonders if she still does
that because she wants to
touch him so badly. (He
does)
“What happened?”
She finally asks.
“I lead them to
their deaths, every single
one of them,” he says.
She bites her
lip and looks down at her
hands. “It was a war, that’s
what happens.”
He shakes his
head. “No, it was a
pointless war. I didn’t
change anything. I just
pissed them off.”
“Sometimes I
think everything we do is
pointless. The evil doesn’t
go away. It doesn’t even get
smaller. It comes back
bigger and badder but we
have to keep fighting,” she
says.
He shakes his
head. “Not me, not anymore.”
“You don’t get
to quit, that’s not an
option,” she says.
“As long as the
sun rises, that’s an
option.”
She slaps him
hard enough to make him
reel. “We’ve already done
this. We don’t quit. We
don’t give up on each other.
We never stop fighting.”
He looks at her,
tears in his eyes “Yes,
Buffy, sometimes we do.”
Tears well in
eyes as she realizes how
serious this is. “No, we
rest for a little while and
then we get back up and do
it all over again.”
He shakes his
head. “I didn’t want to
fight. I came to say
goodbye.”
“So that’s it?
You walk back into my life
so you can say goodbye? No,
I don’t accept that. Goodbye
means it’s over, goodbye
means we’re over. It is
–never- over, Angel. Not for
us, we’re for always,” she
says. Her voice quivers with
tears unshed.
“I’m tired,
Buffy. I’m so tired,” he
says, his voice hewn rough
with guilt, grief and tears.
She folds him
into her arms, his head over
her heart. “Just rest for a
while.”
*
He watches the
line of orange as it eats
the black away. He pulls the
curtains open and turns his
back to the window. As far
as last sights go, she’s one
to behold. She’s lying in
bed asleep on her stomach,
naked and rumpled. Her
golden hair fans over the
pillows and a small smile
graces her face. He’s never
seen an angel, not a real
one, but looking at her, he
believes.
He hadn’t meant
for things to get out of
control last night. They
always get of out control
when he touches her (want,
need, too much). She is fire
that doesn’t burn, eternity
that he never wants to end.
There hadn’t been anything
like perfect happiness last
night, and that wasn’t her
fault. It was his. He can
not close his eyes even for
a moment with out seeing the
bodies of his friends,
without hearing Illyria’s
scream. Former Gods should
not scream like that, they
also shouldn’t be torn to
pieces by demon armies.
She hadn’t been
perfect despair last night
either. She was perfect
respite, a perfect rest and
a perfect goodbye. He feels
the first touch of the sun
along his back. He clenches
his hands into fists against
the pain. He will not close
his eyes. (I love you, close
your eyes) He wants to see
her as long as possible. He
wants to carry her image
with him into Hell even
though he knows it will be
his final damnation.
She’s a blur of
naked skin and golden hair.
She hits him hard enough to
fling them both against the
wall. She gets up and shoves
him harder into the ground.
She jerks the curtains
closed.
“What the fuck
do you think you’re doing?”
She spits.
He swallows hard
and looks away.
“No, you don’t
get to do that. You don’t
get to waltz in here, make
love to me and then burn
yourself ash,” she says.
“I told you I
came to say goodbye,” he
says.
“And I told you,
it’s never over,” she says.
He sighs.
“Buffy, let me be strong.”
“Then do it. Be
strong. Get your ass up and
keep fighting,” she says.
She crosses her arms over
her bare breasts and she
looks like some mythical
warrior woman.
“I led my
friends into a pointless
battle and they all died,”
he says.
“That amulet you
gave me, I knew when I gave
it to Spike it would kill
him. That’s why I wouldn’t
let you wear it,” she says.
“They ripped her
to pieces,” he says.
Buffy sits down
on the floor beside him. She
cradles him in her arms and
lets him tell her. He tells
her how Gunn died, how Spike
dusted, how Illyria died. He
shakes with silent sobs that
wring not-so-silent tears
out of her.
*
She watches him
sleep in their bed. He’s
been here for three months.
He doesn’t try to open the
curtains anymore but he
doesn’t lose his soul when
they make love either. She
wishes it was because
somehow the soul had become
bound. She knows it is
because he still sees his
friends’ faces when he
sleeps. He has night terrors
that leave him thrashing
wildly and screaming in his
sleep. She wraps her arms
around him and holds him
tight until he stops
thrashing, until he wakes
up. He never wants to talk
about it, not since the
morning he tried to kill
himself, and that’s okay.
Sometimes talking doesn’t
make it better, it doesn’t
make the pain go away.
Sometimes the pain never
goes away.
She talks to
Xander about him. She never
thought he’d understand but
he knows now what it’s like
to lose someone you love in
a war, to lose them and
never have a chance to say
goodbye. He tells her it
took him a long time to say
goodbye to Anya. It’s harder
when there’s not a body to
bury, a memorial to go to.
She doesn’t tell
him where they’re going. She
knows he wouldn’t go if she
did. It’s the middle of the
night, too late for
vampires, too early for
humans. They stand on a
bridge over the Fiume Tevere.
She fumbles in her bag and
pulls out a piece of
parchment. The words written
on it look old and ancient.
She fumbles a bit more and
comes up with the silver
Zippo lighter that Spike
left at her house. For some
reason it was among the few
things she’d grabbed
(claddagh ring, jacket,
cross, sonnets, Mr. Gordo)
when they left Sunnydale,
maybe because she knew it
would be all she’d ever have
left of Spike.
She hands him
the parchment. “Willow sent
it to me. She cast a simple
spell that Giles taught her
when she was in England on
it. It’s a spell of release.
She used it to say goodbye
to Tara. Read the poem, burn
the parchment and scatter
the ashes.”
He looks at her.
“Why are you doing this?”
“Because I’m not
ready to say goodbye,
Angel. I’ve got a book of
sonnets at home that promise
me always. I want my
always,” she says.
He opens his
mouth to argue with her.
The golden warrior woman is
back in her eyes. “Buffy-”
he starts.
“Don’t do this
to their memory. They didn’t
die so you could live life
with half a heart,” she
says.
He chuckles.
It’s a dry, bitter sound
like nails on a chalkboard.
“Technically, I don’t have a
heart at all.”
“Technically if
I shove a piece of wood in
your heart, you dust so I’d
say that counts as having a
heart. Let them go, Angel.
They can’t rest until you
do. Let them go home for
awhile,” she says.
He lights the
bottom corner of the
parchment and holds it over
the water. He watches as the
words burn and the smoke
rises.
Do not stand at my grave
and weep, I am not there; I
do not sleep.
I am a thousand winds
that blow; I am the diamond
glints on snow.
I am the sunlight on
ripened grain; I am the
gentle autumn’s rain.
When you awaken in the
morning’s hush, I am the
swift uplifting rush.
Of quiet birds in circled
flight, I am the soft star
that shines at night.
Do not stand at my grave
and cry, I am not there; I
did not die.
When there is
nothing left to burn, he
turns to her and takes her
hand. She smiles, twining
his fingers with hers. He
finds a way to smile back.
It’s time to go home for a
while.